This painting explores the
idea of insomnia, and its psychological effects. An interesting side effect of
lack of sleep is the distortion, or ripples, in the stream of perceived reality. Deprive yourself of sleep long enough, and the world of dreams begins to seep into our world of being awake. Whether the cause of insomnia is
internal or external, a lack of sleep can alter our perception and temporary
understanding of time and space, and we can begin to question the certainty of
our being and what we traditionally perceive as normal life experience.
The aye-aye is a nocturnal
lemur from Madagascar with an unusually long middle finger. Some natives of
Madagascar believe that aye-ayes are heralds of evil. The superstition
surrounding the aye-aye is that if one should point its narrow middle finger at
someone, they are condemned to death. It is also believed that aye-ayes sneak
into houses through the thatched roofs and murder the sleeping occupants by
using their middle finger to puncture the victim's aorta. Because of this some
villagers will kill ayes-ayes on sight and hang up their corpses to ward of
evil.
In this artwork the woman
sits naked at the dining table, while floating up towards the chandelier on the
ceiling as a group of curious aye-ayes ransack the house. The woman has given
up, letting go of any semblance of control, accepting everything with an
indifferent passivity, creating a symbiotic relationship with the inquisitive
lemurs. The aye-ayes in the artwork are a manifestation of insomnia, the furry heralds of the inauspicious, with each passing moment the problem becoming larger, more out of control.
This painting was created in 2010.
This painting was created in 2010.
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